Likewise, showcasing artwork on canvas paper is a cinch. Once dry, an acrylic painting on canvas paper is far easier to place on a flatbed scanner because of its thinness and flexibility. Here’s another area where canvas paper has a huge advantage over stretched canvas. This makes it easy to incorporate additional media that might be harder to handle on a stretched canvas, which has more “give.” Combining media like paint markers with acrylic is possible (and awfully fun) on canvas paper. The fact that canvas paper can lie flat means that it can be used as a rigid work surface. For instance, if you’re a painter who wants to create a piece using a palette knife instead of a paintbrush, testing out the tool on canvas paper first will help you build confidence and explore the technique before taking it to the final work surface. It can act as a “testing ground” for trying out new color combinations, techniques or unfamiliar media. ![]() A testing groundĬanvas paper is appropriate for seasoned painters, too. Canvas paper can take the pressure out of the painting process, allowing you to explore, make mistakes and develop skills. For a beginner, this is a fantastic way to try out a variety of techniques, colors, styles and brushes with the authentic texture and feel of canvas - without breaking the bank. An ideal (and inexpensive) practice surfaceīecause canvas paper is relatively inexpensive (a pad of 10 sheets is typically around the same cost as a stretched canvas), it’s perfect for practicing and testing new techniques. To the uninitiated, canvas paper might seem as if it’s a veneer of the real thing - why work with canvas paper when you could be working with a real stretched canvas? Well, there are many advantages to employing canvas paper while working with acrylic paint. Why use canvas paper for working in acrylic? While canvas paper is suitable for a variety of media, including oil paint, caseins, alkyds, egg tempera and even paint markers, in this post we’ll discuss why it’s an ideal work surface for developing your skills with acrylic paint. It typically comes in flat sheets that are bound like a drawing or bristol board pad. In case you’re not familiar with this work surface, canvas paper is a heavyweight paper with a textured, coated surface that closely replicates the finished surface of a canvas. I seal my drawing with a fixative if I haven’t drawn the composition directly with oil first, then I paint.Discover a downloadable list of 140 painting prompts that will keep you feeling inspired and excited about your art. I start sketching with a soft pencil or charcoal to avoid scratching the paper as it is very soft. I begin my process by figuring out the dimensions for the painting that best works for the overall composition. I can’t recall there being anything special I do differently with Stonehenge vs. Stonehenge paper can also be stretched over stretcher bars if I still crave the canvas bounce. It allows me to create custom sizes without using standard sizes and canvases easily. Stonehenge is a great surface to work with compared to other oil surfaces without the prep. How does Stonehenge Oil compare to previous surfaces you were using? I’ve used Winsor and Newton water miscible oil paints and charcoal with Stonehenge oil. What materials do you use with Stonehenge Oil? I’m a portrait artist who explores the relationship and intertwining Nature of light and shadow and the composition as a whole. ![]() I’m an artist and instructor from South Carolina. The paper held up amazingly when I toned it with oil paints and mineral spirits (there was absolutely no warping) but next time I paint on Stonehenge Oil, I'll use a thinner underpainting mixture so my underpainting isn't too dark. My advice for anyone using Stonehenge Oil would be to be aware of how much it absorbs. The only thing that I did not do that I typically would do on canvas was varnish my finished artwork. Lastly, I painted on top of that with my oil paints. ![]() Next, I used an imprimatura underpainting method to give the paper an even wash of an orange/brown color to paint on top of. ![]() First I sketched out my composition with graphite pencils and set the sketch with a workable fixative. When painting on Stonehenge Oil Paper, I used my normal process that I would use on canvas. What’s your process like in creating a piece? My experience with canvas is that it can be difficult photographing my work because I get a bright glare off of my artwork. One additional quality that I discovered was that photographing/filming my work on Stonehenge Oil was so much easier than a canvas because although my painting was still wet, it looked matte. Stonehenge Oil Paper was absolutely incredible because of it's smoothness. Why does Stonehenge Oil work well for you?
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